"Taut, pristine piece of alt-pop,
with its vital vocal pitting
HEX HUE against the world."
CLASH
"The music, is the cherry on top.
Composer Katie Richardson combines influences
from all over: xylophones and marching drums
are joined by saxophone, clarinet, bells,
guitar and vocals. Yet somehow it feels cohesive and,
as with the play’s dialogue, makes Shakespeare’s lyrics feel fresh."
WHAT’S ON STAGE
"The use of music as underscore
can be hauntingly gorgeous."
The New York Times
Composition, Curation, Sound Design, Production, Songwriting, Musical Direction,
Composition, Curation, Sound Design, Production, Songwriting, Musical Direction,
“The music is suitably elegiac-
a funeral march for the film reel.
It provides the perfect accompaniment to the film.”
UK Film Review
“The play is excellently sound designed by
Richardson, who uses a dystopian Pink Floyd style
that immerses the audience in an Orwellian
soundscape, juxtaposing against the brutal
nature of what the audience can see on stage.”
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